Basic Info
Movie Title: They Call Him OG
Release Year: 2025
Platform: Cinema (Theatrical release worldwide on September 25, 2025)
Language: Telugu (Dubbed in Tamil, Kannada, Malayalam, Hindi)
Genre: Action Crime Drama
Director: Sujeeth
Writer: Sujeeth
Producer: D. V. V. Danayya, Kalyan Dasari (DVV Entertainment)
Lead Cast: Pawan Kalyan as Ojas Gambheera ‘OG’, Emraan Hashmi as Omkar Vardhaman Mirajkar ‘Omi Bhau’, Priyanka Mohan as Kanmani, Arjun Das, Sriya Reddy, Prakash Raj
Music Director: Thaman S
Cinematography: Ravi K. Chandran, Manoj Paramahamsa
Editor: Naveen Nooli
Production Company: DVV Entertainment
Runtime: 154 minutes (2 hours 34 minutes)
Censor Certificate: A (Adults Only)
Introduction/Context
The anticipation surrounding “They Call Him OG” was nothing short of a fervor, and director Sujeeth has delivered a cinematic hurricane that lives up to every ounce of hype. This is not just a film; it’s an experience, a spectacle crafted with meticulous detail and an unshakeable vision. Hitting cinemas on September 25, 2025, this Telugu-language action crime drama immediately captured the imagination of audiences across India, offering a thrilling ride that redefines the gangster genre. With a star like Pawan Kalyan in a fierce, mass-heavy avatar and the significant Telugu debut of Bollywood’s Emraan Hashmi, “They Call Him OG” was destined to be a standout. It delivers high-octane action, profound themes, and technical brilliance that will leave you breathless, easily earning its place as one of the year’s most compelling watches.
Plot Summary (Spoiler-Free)
Set primarily in the gritty landscape of 1990s Bombay, “They Call Him OG” introduces us to Ojas Gambheera, known simply as OG (Pawan Kalyan) – a name that strikes fear and reverence in equal measure. OG is a retired gangster, a “firestorm” and a “hungry cheetah” who returns to the bustling city after a decade-long disappearance. His past, steeped in a unique origin story involving training in Tokyo as a young samurai, looms large over his present. The narrative unfolds as OG is drawn back into the dangerous underworld to confront the formidable crime lord Omi Bhau (Emraan Hashmi), who threatens to upend the delicate balance of power and destroy everything OG once protected. The film masterfully unravels the mysteries surrounding OG’s exile and his deep-seated connection to Satya Dada (Prakash Raj), whose port business in Mumbai becomes the epicenter of this brewing storm. It’s a tale of vengeance, loyalty, and the explosive return of a legend.
Performances & Characters
Pawan Kalyan as OG is simply mesmerizing. He embodies Ojas Gambheera with a magnetic presence and an intensity that radiates from every frame. His portrayal of a seasoned, almost mythical figure, a samurai-like hero with a complex past, is both commanding and nuanced. Whether he’s delivering impactful dialogues or executing breathtaking action sequences, Kalyan reminds us why he’s a powerhouse, proving that he can ignite frenzy when the right film comes his way. His fiery screen presence is the absolute cornerstone of the film’s success.
Emraan Hashmi makes a memorable Telugu debut as the antagonist Omi Bhau. He brings his signature charm and intensity to the ruthless crime-lord, creating a formidable adversary for OG. While some critics noted his role could have been more fleshed out, his performance is undeniably impactful, holding his own against Kalyan and marking a significant entry into Telugu cinema.
The supporting cast, including Priyanka Mohan as Kanmani, Prakash Raj as Satya Dada, Arjun Das, and Sriya Reddy, provides solid depth to the narrative. Prakash Raj, in particular, is reliable and powerful as the influential Satya Dada. Sriya Reddy as Geetha is noted for her strong presence, leaving a lasting impression. While some characters might have limited screen time, their contributions effectively serve the grander narrative and the central conflict.
Direction & Writing
Director Sujeeth has poured his heart and soul into “They Call Him OG,” delivering what many fans hail as a love letter to Pawan Kalyan. His vision is evident in the film’s stylish presentation, high-energy sequences, and the almost mythic elevation of the titular character. Sujeeth leans into his strength for helming stylish action sagas, reminiscent of his previous work like “Saaho,” creating an action thriller that is visually slick and constantly engaging. The screenplay, while focusing heavily on crafting powerful moments for Pawan Kalyan, manages to build an intriguing world of crime and retribution. The film’s narrative structure, though at times prioritizing style and fan service, keeps the audience hooked, with dialogues that land effectively and contribute to the larger-than-life persona of OG. The action choreography, influenced by martial arts and boasting anime-inspired visuals from OG’s Japanese origin, adds a fresh layer of excitement.
Technical Aspects
“They Call Him OG” is a technical marvel that truly elevates the cinematic experience. The cinematography by Ravi K. Chandran and Manoj Paramahamsa is exceptional, capturing the gritty essence of Mumbai’s underworld and the stylized action with breathtaking visuals. The use of fire as a recurring visual motif and vibrant earthy tones creates a distinct and powerful aesthetic. Thaman S’s music and background score are absolute showstoppers, providing a thumping, high-on-energy backbone that enhances every elevation sequence and emotional beat. His blaring electronica is a perfect match for the film’s intense atmosphere. Naveen Nooli’s editing maintains a brisk pace, ensuring the narrative remains tight and dynamic, preventing any dull moments. The production design by A.S. Prakash is also commendable, creating an immersive and authentic world for the characters to inhabit. The combined efforts of the technical team deliver a slick, high-quality cinematic experience that stands out.
Themes & Messages
At its core, “They Call Him OG” explores themes of vengeance, loyalty, and the inescapable pull of one’s past. OG’s return from exile is driven by a deep sense of commitment to those he once protected and a burning desire for retribution against those who threaten his peace. The film delves into the complexities of a retired gangster’s life, showing that even after years of absence, the shadows of the past can resurface with devastating force. It highlights the price of power and the sacrifices made in the pursuit of justice, albeit through violent means. The narrative also touches upon the concept of a legendary figure, almost mythical in his abilities, returning to restore order in a chaotic world, emphasizing the enduring impact of an “Original Gangster.”
Strengths & Weaknesses
Strengths: The undeniable strength of “They Call Him OG” lies in Pawan Kalyan’s magnetic performance, which commands the screen with fierce energy. Sujeeth’s stylish direction, coupled with the film’s high-octane and visually stunning action sequences, ensures a constant adrenaline rush. Thaman S’s electrifying background score is a character in itself, amplifying every powerful moment. The technical brilliance in cinematography, editing, and production design creates an immersive and visually rich experience. This film is a definitive fan-service spectacle, delivering exactly what admirers of Pawan Kalyan have been waiting for.
Weaknesses (or areas for nuance): While the film’s narrative is gripping, some might argue that the storyline, at times, plays a secondary role to the star’s larger-than-life presence and elevation sequences. However, this isn’t necessarily a flaw for its target audience; rather, it’s a deliberate choice that prioritizes entertainment and cinematic grandeur. While Emraan Hashmi is excellent, a deeper exploration of his villainous arc could have added further layers for critical audiences. For the enthusiastic viewer, these “weaknesses” are merely minor points against a backdrop of overwhelming strengths that make the film shine.
Comparison/Context
“They Call Him OG” finds itself in the proud lineage of impactful Indian gangster dramas, drawing comparisons to films that blend intense action with strong character arcs. Director Sujeeth’s previous work, “Saaho,” also known for its slick action and grand scale, serves as a natural predecessor, hinting at a potential cinematic universe with clever Easter eggs. The film’s narrative of a retired formidable figure returning to reclaim his turf echoes classics like “Baashha,” while its stylized violence and hero elevations might remind some of contemporary high-octane sagas that prioritize visual flair and star power. The Japanese origin story and martial arts influence also give it a unique flavor, setting it apart in the genre.
Read also: Inspector Zende: A Witty Chase That Redefines the Cop Drama on Netflix
Audience Perspective
This film is an absolute must-watch for Pawan Kalyan fans, offering them the “massy avatar” and whistle-worthy moments they adore. Beyond the fandom, “They Call Him OG” will thoroughly entertain anyone who appreciates high-octane action thrillers, stylish cinematography, and a powerful background score. If you are looking for a grand cinematic experience with an enigmatic protagonist, fierce antagonists, and a relentless pace, this film is tailor-made for you. It’s a celebration of stardom and spectacle, best enjoyed on the biggest screen possible. The film’s “A” certificate for strong violence and language suggests it caters to a mature audience.
Final Verdict & Rating
“They Call Him OG” is a triumph of style, action, and star power that delivers an exhilarating cinematic experience. While its narrative serves as a powerful vehicle for its lead, it’s the sheer force of Pawan Kalyan’s performance, Sujeeth’s confident direction, and the phenomenal technical execution that truly make this film soar. It’s an unadulterated mass entertainer that captivates from start to finish, leaving a lasting impression. For its unapologetic commitment to thrilling entertainment and its impactful presentation, “They Call Him OG” stands as a remarkable achievement.
Final Rating: ⭐⭐⭐⭐½ (4.5/5)
Watch Trailer of They Call Him OG
Read more about movie
